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Walter Lawrence Smith in the Military: People Without Names

What was he thinking?

In archival terms, what of the original order in which Walter Lawrence Smith bound the photographs he had taken? Upon opening the military photo album, these are the first faces to greet you.
Why do you think Smith chose to put this photo first?
Having little to no background on Walter Lawrence Smith, what might you conclude [...]

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Walter Lawrence Smith in the Military: Assembling the Clues

Imagine you came across the following photos. You have already deduced that Mr. Smith was in Japan immediately following World War II. What guesses can you make about what the scenes depict?

Are these buildings simply ruins? What do you think happened to them?

Drawing information together from the various pictures we can make assumptions that the [...]

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Walter Lawrence Smith in the Military: Finding Clues in Visual Information

The image below shows Walter Lawrence Smith standing on a monument. The style of the monument and the text carved into the stone to Smith’s left provide some indication of where he was likely stationed. The carved symbols, called kanji, represent Japanese text and tell us that the monument was built in the thirteenth year [...]

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Walter Lawrence Smith in the Military: Rank and the Signal Corps

Mr. Smith’s discharge paper identifies him as being “Tec 4 Signal Corps.” The Signal Corps is the branch of the United States Army that generally manages communication and other aspects of military intelligence. The “Tec 4″ is short for “Technician Fourth Class” and identifies both Smith’s pay level and rank. Tec 4 was the equivalent [...]

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Walter Lawrence Smith in the Military: Archival Mysteries

While we know that photographer Walter Lawrence Smith served in the military, there is little documentation available regarding his military service. Apart from a copy of his discharge papers, which provide limited information, the only record we have of this period in Smith’s life is an album of photographs that he took during his time [...]

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